“The Last Jedi” has its defenders and supporters, but it has a lot more built-in messages than both of the two groups may realize. It’s certainly a movie that rewards repeat viewings.

The film is oozing with tons of admiration for filmmaker Akira Kurosawa, constructed in a familiar mold and used by Rian Johnson to propel the characters into engaging, even suspenseful, action. It shows us a series of situations with multiple different characters simultaneously, constantly cutting back-and-forth in the middle of an inconclusive sequence.

We see Kylo as a general, Rey as a trainee, Finn as an adventurer, and Luke as a very doubtful/dejected man having cast himself out in isolation. The anxieties and concerns that Luke feels are very real, perhaps too real for a Disney flick in which the primary concern is identifying which scene will suddenly break out into rainbow-colored saber duels.

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Poe Dameron is a cocky, surefire pilot with nothing to really lose. We don’t know for sure if he has a family but it does seem very apparent and obvious that he’s likely a bachelor. He’s Han Solo on steroids: passionate and motivated but very reckless. His desire to complete a mission, even if it would be more strategically advantageous to pull out and recalibrate, often puts the well-being of his fellow comrades at risk.

Jonathan McIntosh sums up the problem with Poe concisely and smartly here, so i’ll hand him the mic:

The character of Poe Dameron has a lot to do with both the subtle philosophical goals of the film as well as the pompous, overly hateful reaction that overflowed across the internet following the release of “The Last Jedi”.

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