Shutter Island is not a low-point in Scorsese’s career, but simply an indulgence. It has similar elements to his past films, with 40s dressed men and a classic, noirish feeling and tone, but doesn’t satisfy on all aspects. With a plot as complex as Shutter Island, after the fact plot-holes keep appearing in the after-glow thoughts, and that is the kind of distraction that takes attention away from the main themes. Yet, what are the themes of Scorsese’s recent film? Confusion, denial, desperation..
The movie does not at all lack beauty in its camera-work; its first scene is a wonderful pan onto a mist-covered boat, with detective Teddy Daniels (Leonardo DiCaprio) leaning on the handling with his partner, Chuck Aule (Mark Ruffalo) smoking a cigarette; Teddy leave s soon, his sea-sick rising in his stomach, for the bathroom. They are headed to investigate the merit of a psychiatric institution, but what their looking for is not told to us from the start; and even if it was, it would end up an entirely different thing. The movie strives on paranoia and fear, from conspiracy to mystery: the two investigate a case where a woman seems to have disappeared from her room, while at the same time not being seen escaping by the night guards. The island is searched, nothing found. The rest of the film is dedicated to finding her-as well as Teddy dealing with his own past troubles.
Their were flash-back sequences in the film, or dream-sequences, of Teddy with his wife as she fades away and out of existence from him. These I feel are derivative and a low-point for Scorsese’s cinematic inventiveness. She flakes away like a burning newspaper, and she is gone leaving Teddy teared-up and devastated. It creates no mood, nor visual ecstasy, and is like a sequence trying to mock Lynch’s methods; a hand flying up as he was thinking of her, or hugging a corpse even: He resorts to the weakest of metaphors and imagery.
The film easily sums up its whole with facets of the mentally ill; this character acted like this, because he was paranoid or delusional. But this seems like the only thing that does work right, there are other things that are never bothered to be explained or elaborated; you can definitely get the feeling that this could have been smarter if Scorsese wasn’t making a movie for commercial success. It’s a bold horror entry no doubt-but with more assumptions being done than an actual plot, it’s a misty film in itself.