Jean Luc-Godard seems to think if you correlate number-tags to a woman’s neck you can call yourself science-fiction; although it may not be the normative spaceship piloting fair, Alphaville is unique in its philosophical approach. William Gibson, author of Neuromancer, cites Escape from precinct 13 as an inspiration to his writings, a John Carpenter film, when a character mentions, paraphrased, “I flew over Normandy during the invasion”, and by this single strip of contextual dialogue, it emits a time and place unrealized simply by exteriors; this is done often in Alphaville, as the time in which filmed does not permit the use of special-effects that we have today.

Near the end of the third act the director positions aerial shots stationed on Lemmy backing out by way of a stolen car and zigzagging out of the parking lot, causing the whole scene to feel predetermined; above, a deity, spectating the intergalactic missions of Lenny.

The stark black and white camerawork sets a somber mood, and the lengthy film, when pushed past its own pretensions, is also very interesting and engaging.

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