Although I’m not a surging fan of Spielberg’s movies, “Minority Report” is an overlooked gem in his filmography. It features a super sci-fi atmosphere and a universe as special as it is bizarrely complex.
“In the land of the blind, the one-eyed man is king.”
Tom Cruise leads as John Anderton, traversing the viewer through a journey of corporate corruption. The film poses a complicated narrative about the various contradictions within the concept of free will. The movie is based off of a short-story/novella by Philip K. Dick, an author who specialized in dissecting the legitimicy of our reality.
Their is a gloomy, closet-light sort of decor to the whole film. It isn’t a romance sci-fi, or even a extremely flashy science fiction movie, but a dark, sometimes depressing outlook on loss; in parts it reminds one of Ridley Scott’s noirish Blade Runner.
In this world, in 2054 A.D., government has the ability to predict future murders and stop them in their mind-dwelling tracks; It’s called the Pre-cog program, and involves three telepathic visionaries of the future outputting information to the agency.
The troops flee out and arrive at the potential murder area to conflict with the violence. Chief Anderton is the best at his job: Spielberg confidently shows Anderton’s confidence with full frontal views of him moving his arms with virtual information, swinging it, and looking for clues on the motherboard.
The staging is excellent in the way it takes the plot with the utmost sense of importance, even if most of the film is frantic getaways. I don’t think its much of a criticism to say it consisted only of getaways, because each pit-stop is revealing of the times; he’s not hiding behind garbage cans, but getting his eye-removed so he can re-enter his past-employed building, or finding an elderly women with an odd love for botany.
It reveals the society’s technology all at the same time: Much of this was of Spielberg and crew’s own invention, since Philip K. Dick’s story has little explanation of devices used, and was never one to bother on such descriptivism anyway, being a writer concerned mostly with character and plot.
The film is a masterpiece of super-detective science fiction, wildly synced action sequences and incredible art and concept design. The actors fill out their characters skillfully, including Max von Sydow as the president of the pre-cog program and Collin Farell as a snoopy investigator.